Encoders

TNT includes industry-standard encoders for each format.

Fraunhofer FDK AAC (Advanced Audio Coding)

  • Type: Lossy compression achieving transparent quality at high bitrates
  • Encoders:
    • Fraunhofer FDK-AAC (all platforms): Industry-standard reference encoder
    • Apple AudioToolbox AAC (macOS only): Hardware-accelerated encoder for Apple Silicon
  • Bitrate: 256 kbit/s in Simple Mode (maximum 512 kbit/s). Encoding artifacts disappear at 320 kbit/s.
  • File Size: 30 seconds at 256 kbit/s = ~1 MB

Opus Interactive Audio Format

  • Type: Open-source lossy compression with low algorithmic delay
  • Best For: Live applications and voice content (optimized for speech in TNT)
  • Bitrate: 12-510 kbit/s (minimum 6 kbit/s, UI-limited to 12 kbit/s)

FLAC (Free Lossless Audio Codec)

  • Type: Lossless compression preserving original audio data
  • Best For: Archiving and digital delivery requiring perfect fidelity
  • File Size: 40-60% of uncompressed PCM

LAME / MPEG-I Layer 3 (MP3)

  • Type: Lossy compression with universal compatibility
  • Best For: Devices that cannot decode AAC or Opus
  • Quality: Less efficient than AAC or Opus at low bitrates; usable at high bitrates (>320 kbit/s)
  • File Size: 30 seconds at 160 kbit/s = 0.6 MB

PCM (Pulse Code Modulation) / WAV

  • Type: Uncompressed audio data (WAV container)
  • Settings:
    • Sample Rate: 44.1, 48, 88.2, 96, or 192 kHz (samples per second)
    • Bit Depth: 16, 24, 32, or 64-bit (precision per sample; 32/64 are floating-point)
  • File Size: 30 seconds at 48 kHz/24-bit = 8.64 MB

TNT Plus

Broadcast-quality audio normalization.

You could be interested in these support articles.

Processing

Configure dynamics processing and EQ to shape your audio for different broadcast scenarios.

Advanced mode

Configure encoding parameters, loudness targets, and processing options.

You could be interested in these Guru articles.

Audio encoding artifacts

How audio encoders use psychoacoustic masking to reduce file sizes, and why this process creates audible artifacts in compressed formats.
Software
Outside broadcast without the truck.
Autonomous radio automation.
Broadcast-quality audio normalization.
Guru

Dynamic Score

Making decisions on automated dynamic range compression requires a scoring system that takes three different measurements into consideration.

Audio encoding artifacts

How audio encoders use psychoacoustic masking to reduce file sizes, and why this process creates audible artifacts in compressed formats.

Loudness and normalization

Understanding what is loudness, how it's measured and why standards exist.

Bit depth in digital audio

Understanding bit depth, quantization and why float sample rates are needed.

Audio dithering

How randomization helps to alleviate the effects of quantization.

Contact
Hamburger menu icon from Fremen webpage. Fremen is a part of Collins Group.